Participatory music has been a significant topic throughout this course, because of its values and influence in a culture. This type of music takes pride in getting people involved, not in making "quality" music. A successful participatory event is judged by how many people participate, with the ultimate goal being to have people feel a state of flow and enjoy themselves. Participatory music is largely popular in non industrial countries, and consists of repetitive music tunes and the ability to easily join in. Contra dancing is one of the few participatory activities one can feel in the United States, and it is an experience unlike any other.
As a class we went contra dancing tonight to experience what a true participatory event is like. I assumed that contra dancing would be like any other dance for me, which usually includes a sense of peer judgement and an overwhelming feeling of awkwardness. Instead though, I was pleasantly surprised to be greeted with smiles and laughs every time I made a mistake, and to get helpful advice when I was obviously confused in the motions. Usually experts are annoyed to be hindered by such a large group of beginners, but everyone seemed to enjoy having us around never once did I feel out place or embarrassed about my lack of skill. The crowd of casual contra dancers was just glad to have new people involved, sharing in an activity they all seemed passionate about. By the repetitive, up beat music, the cheerful participants, and the casual attire, it would be obvious to anyone that the goal of contra dance is not to impress anyone, or be the center of attention, but to have a good time.
During this escapade, I experienced a feeling unlike any I have ever had before. I was reminded of a time as a child where I could behave how ever I wanted and not be concerned about how I appear to others. This nostalgic moment helped me feel the state a flow I have read so much about, to feel as if there were no boundaries, obstacles, or problems. It's apparent to me now why participatory music is valued among the Shona people, and now I wonder that if everyone could experience a state of flow like I did tonight, would anything even change? Would people seek out this feeling, even if it meant changing the music they have been accustomed to, and going to events unlike the concerts people appreciate today? Participatory music could change the world if it could ever be recognized and sought after like today's popular presentational music. Regardless of what the world does though, I'm still looking forward to my next contra dance session.
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